Coco before Chanel
Friday, August 6th, 2010
Pretty much everything about this movie is perfect. The costumes, the hairstyles, the cinematography, the story and it is just over all a very beautiful film. The only problem is, its slightly boring.
Gabrielle, nickname Coco (Audrey Tautou), and her sister (Marie Gallain) grow up as orphans and later make money as seamstresses during the day and singing at a bar by night. When her sister leaves her to get married to a baron, Coco decides to leave, too. She stays with a friend/lover where she meats the man that helps her change her life.
As I said, Coco before Chanel is a stunningly beautiful film. The costumes are obviously a huge part of the films look but I also loved the hairstyles. Cocos whole style is just gorgeous. I am so glad that it was filmed in French, which gives it a sort of authenticity that an English version would have lacked. Audrey Tautou is great, as always. She has such a strong presence on screen and is just so beautiful to watch.
Watching Gabrielle grow into Coco is very inspiring. It really shows that you have to stay true to yourself and don’t let anyone tell you that you can’t do something or shouldn’t wear something. The story itself is very interesting but it is told in a very slow way that made me constantly grab my ipad to play Farm Story. That is never a good sign.









here. The problem is that somehow political thrillers are always so thought through that watching it for the first time it is a bit difficult to understand who is who and what their names are and all that. But political thrillers are usually only fun to watch once so you kind of have to understand everything the first time. Tricky. Well, in this case it was mostly understandable but I didn’t really get involved with the story that much. I didn’t get scared or wasn’t on anyones side in particular (exept for Ewan, mainly because I’m always on Ewan McGregor’s side) so the end didn’t shock me that much. It was more like “alright, yeah…I should have guessed.”
I finally managed to watch Alice in 3D. It’s a fun film, visually stunning, beautiful costumes and great visual effects but its not a Tim Burton movie. I got the feeling that Tim sold his soul to the Devil (the Devil being Disney) for a very large sum of money because that is what is lacking in Alice in Wonderland: Tim Burton’s soul. The movie is perfectly well made and I’m sure a lot of people enjoy it because it is obviously made “for the masses”. I just don’t understand why Tim had the urge to make a Blockbuster. He just doesn’t strike me as the type of person to do something simply for money or to make a film to please people.
It feels like I’m being too negative because I did have a good time watching Alice in Wonderland. Underland has come to life with a real beauty and I also didn’t think the story was bad at all. But it was too polished to be a great movie. I was expecting it to be darker and with more of an edge to it. It also felt rushed, but I might just be used to super-long movies by now. It’s a strange contradiction that I thought the movie was rushed but individual scenes seemed quite long because the editing was fairly slow. The ending didn’t work for me at all. It was too Disney-perfect. The costumes were absolutely stunning. It felt a bit random that Alice was wearing a new dress every few minutes but they were all gorgeous. The costume and set designers should get Oscars for this.






Inglourious Basterds
Waitress There was a preview toWaitresson theOnceDVD which looked funny so I put it on our Netflix queue. But I was really disappointed by it. It had so much potential! The main character Jenna (Keri Russel) was fun and likable, there was a lot of pie in the movie (which is always great) and the story was cute and had very good ideas. The problem was that it never quite followed the intention it had. I always thought “this could get funny” and then the scene ended. The editing was also strangely slow. It is a pity but I just can’t give this movie more than two MovieStars.
Four Weddings and a Funeral
Iron Man
As the director says on the special features of the DVD, the story of Once could be written on the back of a postcard. Guy (Glen Hansard) is a street musician in Dublin, working at his fathers hoover repair shop to earn his rent, when Girl (Markéta Irglová) comes up to him one day and changes his life completely. She is a Czech immigrant trying to make some money any way she can (selling flowers and Big issues). They discover a similar passion for music which leads to a close friendship and a recording of Guy’s first demo CD. There is always the possibility of something more then friendship.







